By Frances E. Mascia-Lees
A significant other to the Anthropology of the physique and Embodiment deals unique essays that study old and modern techniques to conceptualizations of the body.
- In this ground-breaking paintings at the physique and embodiment, the newest scholarship from anthropology and comparable social technology fields is gifted, supplying new insights on physique politics and the event of the body
- Original chapters hide old and modern techniques and spotlight new examine frameworks
- Reflects the expanding significance of embodiment and its ethnographic contexts inside anthropology
- Highlights the expanding emphasis on reading the construction of clinical, technological, and clinical services in learning our bodies and embodiment
Read Online or Download A Companion to the Anthropology of the Body and Embodiment PDF
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Additional info for A Companion to the Anthropology of the Body and Embodiment
It is this notion of autonomy or self-referentiality which the new discourse of aesthetics is centrally concerned to elaborate” (1990: 9). As art is sequestered from other social practices, this idea of autonomy provides the middle class with the very ideological model of subjectivity it needs for its operation. 4 Thus, an analysis of the Arts and Crafts aesthetic necessarily trains our attention on the home, a significant locus for ethnographic analysis given Daniel’s Miller’s (2001) observation that life for many people around the world has become increasingly lived in the home, making it the site of where most of what matters to people takes place.
Stickley imported Morris’s ideas and published them widely in his periodical, The Craftsman. ” Two years later one of the original Stickley companies in upstate New York was bought and began to reproduce original designs. Early consumers were primarily collectors with significant purchasing power, although less wealthy buyers sought objects that were affordably priced (http://www. html, accessed May 11, 2009). As antique items became increasingly scarce and expensive in the 1990s, a few craftspeople began to reproduce earlier designs while many more began to produce original work that interpreted the vocabulary and philosophy of the original Movement, often creating fresh, contemporary designs (Ewald 1999: 8), even as traditions are venerated: Arts and Crafts artisans are extremely knowledgeable about their predecessors, educated in both their philosophy and techniques (Ewald 1999: xii and 15).
The rapid flow of images that came to saturate everyday life produced, they claimed, sensory overload, a waning of affect, and a loss of a sense of depth and history (Jameson 1984), a culture of superficiality (Featherstone 1991: 66), and a world of the simulacrum in which commodities bear no relationship to their materiality but are merely floating signifiers in an arbitrary sign system of taste and lifestyle (Baudrillard 1983). A major drawback in much of this work is the assumption, rather than demonstration, of a particular experience of commodification and its effects on the human body in the actual everyday life of consumers.
A Companion to the Anthropology of the Body and Embodiment by Frances E. Mascia-Lees